Wednesday, March 3, 2010
From the Shelves of the Paco Library
Today, I’ve got a historical fiction roundup.
For those who have read through all of C.S. Forester’s Hornblower novels and Patrick O’Brian’s Aubrey/Maturin series, and don’t know where to turn, you should try Douglas Reeman (who writes under the pen name of Alexander Kent). Reeman has written an outstanding series of novels set during the age of fighting sail featuring Captain Richard Bolitho of the Royal Navy. The stories extend from the 1780s into the Napoleonic era, and take us as far as India and Australia. I’ve just finished Passage to Mutiny, a tale set in the South Pacific in the months after the Bounty incident, and it’s an exciting yarn featuring pirates, Australian convicts, a French ship that throws off the yoke of its tyrannical captain upon getting word of the arrest of King Louis XVI, and the resumption of a love affair between Bolitho and the wife of an intensely ambitious colonial officer (who is also an unmitigated cad). Reeman has surrounded his captain with a fine cast of characters, many of whom are regulars in the series, and, as in the case of the Aubrey/Maturin novels, one opens each new book with the comforting sensation of rejoining old friends.
Reeman is a prolific writer who has also authored a series of novels set in WWII, and another featuring successive generations of a family whose menfolk serve in the Royal Marines. I haven’t had a chance to read these two series yet, but I’m eagerly looking forward to having the opportunity.
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David Donachie has created a unique sub-genre of nautical fiction which combines the fighting-sail theme with mysteries. His principal characters, brothers Harry and James Kudlow, are British privateersmen during the Napoleonic era, who, in addition to fighting the French, become entangled in various murders and intrigues. Donachie has written half-a-dozen books in this series, of which The Dying Trade is an excellent example. The year is 1794, and a British sea captain has been found hanged in Genoa – possibly a suicide, possibly not. At the request of Admiral Hood, the Kudlows become involved in the investigation, and are drawn into the complex and dangerous political situation in the Republic of Genoa, where the French are laying the groundwork for conquest. There is much riveting battle-action at sea, as well as the subtler, yet more dangerous, maneuvering on shore. Donachie, in the tradition of the great authors of nautical fiction, has created a host of well-drawn and interesting secondary characters, and his extensive knowledge of history combines with an inventive imagination to make for a highly entertaining series.
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Somerset Maugham is best remembered today for a handful of contemporary novels, his autobiographical books (including certain thinly-veiled fictional stories that are based on his experiences with British Intelligence in WWI), and his many excellent short stories; but he also wrote historical fiction, and one of his best efforts in this genre is Then and Now. In this novel, Maugham pits Machiavelli against Caesare Borgia, the Duke of Valentinois and one of the pre-eminent warlords of renaissance Italy. The book is rooted in historical fact (Machiavelli led a diplomatic mission as Secretary of the Florentine Chancellery to the Duke’s court in late 1502/early 1503), and provides excellent characterizations of the two principals, as they fence with each other over the fate of Florence, as well as a marvelously incisive picture of the turbulent world of the Italian city-states. A wonderfully written and engrossing work.
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I've found Reeman's WWII books to be extremely formulaic, essentially the same story on different ships. I'm a naval freak so I enjoy that aspect of it (Ooh, monitors! [HMS Saracen] Ooh! Merchant Cruisers! [HMS Benbecula],but he also seems to suffer from that curse of the midrank English novelist, a completely deaf ear for any dialect or accent other than the one he picked up at school...
ReplyDeleteDidn't notice that flaw in the Bolitho novels.
ReplyDeleteI would back up Richard, Paco. The Bolitho novels are for what ever reason, a superior example of Reeman's skills as a writer. His WW2 novels are not nearly as readable, and in fact I would suggest barely worth reading.
ReplyDeleteThe dialects in Napoleonis fiction are a matter of historic precedent in fiction. Contemporary voices are a matter of the author's ear. Where there's no documented precedent, Brit authors tend to get sloppy. That's why you get so many tribunes and legates who sound like Wellington and so many centurions who sound like regimental sergeants major in Brit films.
ReplyDeleteFor the worst example of a Brit going wrong on accents, read Shaw's "The Shewing Up of Blanco Posnet." Poor pinko bastid tried to do a Western.
If you want to wander afield a bit, if you like Napoleonic sea stories, try the Honor Harrington SF novels by David Weber, based in no small part on the life of Horatio Nelson, right down to the scars.
ReplyDeleteI'd also recommend C. Northcote Parkinson's Delancey Napoleonics...
ReplyDeleteInteresting. Wodehouse tended to get his American characters' accents and word usage wrong sometimes too (at least, I seriously doubt that a lower class con-woman would use the word "shan't").
ReplyDeleteThe use of British slang in novels about the Roman period is by design; it assists the reader in relating to the times by conveying unchanging attitudes (e.g., the infantryman's typical grousing about pay and short rations) in contemporary language. It is difficult, if not almost always impossible, to try to recreate ancient Roman idiomatic expressions and "tone"; that kind of thing always sounds hopelessly artificial (Evelyn Waugh made a similar point about the language he used in Helena).
I am halfway through Aubrey/Maturin at the moment. Thanks for the Reeman tip, I will look at his Bolitho novels next.
ReplyDeleteTo my mind the very best historical fiction is from Mary Renault.
BTW the best ear for dialect I have ever read is Iowahawk. A couple skits he wrote set in Oz he got so pitch perfect I would have sworn he was an Aussie, except that I know he has never been here - a few visits from Tim Blair and he has it down pat. Probably not well known, but whenever Brits and Yanks and Canucks attempt to do Aussie accents most Australians ROFL.
May I recommend something from the lower decks of literature, namely pulp fiction? The Fox series by a fellow named Ken Bulmer, using the pseudonym Adam Hardy, are entertaining, action packed (of course,) and, as far as I'm any judge, well written.
ReplyDeleteIf I have beclowned myself by recommending such trash, I shall remain...
Anonymous
Anon: This is liberty hall, old top! Everyone is free, and encouraged, to make recommendations.
ReplyDelete'That's why you get so many tribunes and legates who sound like Wellington and so many centurions who sound like regimental sergeants major in Brit films.'
ReplyDeleteGreat point Richard. I recently watched Lean's Gandhi in India and it struck me that it hardly looked like India at all and Kingsley's Gandhi talked like an Englishman.
Sorry, Attenborough's Gandhi. Mixed up with Passage to India. I'm just hopeless with details.
ReplyDeleteComing late the party as usual, but on the subject of how romans should talk, I was recently re-reading Graves' "I Claudius" and his foreword has some quite interesting musings about what words and expressions he used and why - for instance while "assegais" are obviously a major anachronism for 1st century AD germans he was deliberately trying to create the image of a savage tribe on the fringes of a superior civilisation.
ReplyDeleteKent's not as good as either Forrester or O'Brian but he does okay. I prefer the Sharpe books over these, if I can't get a sea novel.
ReplyDeleteI'd suggest you check out WIlder Perkins' Hoare novels. They're quite good and I like the character better than either Bolitho or Dudley Pope's Ramage. And I do have to echo the recommendation of C. Northcote Parkinson's writing (his son wrote a terrfic book too).
The Sharpe series is fine, but I began to find it tedious after the first six or so volumes. I regret that Bernard Cornwell did not continue his Civil War series (the Starbuck Chronicles); I believe some of his most interesting and original characters are to be found there.
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